Fri
Mar 22, 2024
Split Bill
Main Stage

The Big Takeover

No reservations
With opening act:  
Dining 5:30-9pm. Music 7pm.

Led by the powerhouse, Jamaican-born singer and songwriter NeeNee Rushie, The Big Takeover's horn-powered global blend reveals deep fluency in reggae and world music, hints of soul and Motown, and their own infectious brand of pop classicism.

Dance floor and bar first come first serve, dinner reservations aren't necessary to attend.

The Big Takeover
Mar 22, 2024
  •  
Main Stage
  •  
Dining 5:30-9pm. Music 7pm.

Ft. NeeNee Rushie (Vocals), Rob Kissner (Bass), Andrew Vogt (Trombone), Chas Montrose (Saxophone), Manuel Quintana (Drums), Guthrie Lord (Guitar), Roger LaRochelle (Drums)

Traditionalists or progressives? Fronted by the charismatic Jamaican-born singer and songwriter Nee Nee Rushie, the seven-piece New York band The Big Takeover plays original music that is rooted in and reverent toward the genres and rhythms of Jamaican pop: reggae, rocksteady, ska. They are devotees of Desmond Dekker and the way the old school did it.  At the same time, The Big Takeover crosses lines and blends traditions like global pop fusionists. Their deceptively complex arrangements and big hooks connect with the spirit of Motown and the uptown sophistication of the 21st century retro soul and R&B revival scene.

That rich sound, along with their rigorous performing schedule and studio work, has been paying off. In 2018, the Big Takeover completed a successful 12-state tour. They were enthusiastically received by 10,000 at Omaha’s Jazz on the Green festival. They delivered an outrageously infectious and nuanced acoustic performance on the popular reggae-centric Sugarshack Sessions. Meanwhile, their current standalone single “Rainboots” has scored big with the discerning tastes at National Public Radio. The Big Takeover has appeared live in studio on several NPR stations, while “Rainboots” is in rotation on all of them.

“Led by the powerhouse, Jamaican-born singer and songwriter NeeNee Rushie, The Big Takeover's horn-powered global blend reveals deep fluency in reggae and world music, hints of soul and Motown, and their own infectious brand of pop classicism.” — John Burdick