‍Cohen has never had as much to sing so directly as he does on Paint a Room. If Cohen’s meanings have previously lurked inside the tessellated musical layers he built alone, they are newly clear and resonant here, animated and underscored for the first time by a band playing in real-time. Enlisting help from longtime touring bandmates Davin Givhan (bass), Josh da Costa (drums), and Jay Israelson (keyboards), he built demos in a dusty garage of a suburban Altadena rental and tried something new—he took the songs on tour with that crew, yielding total control by letting them fill in or flourish their own parts as they saw fit.

Cohen called in a few friends to help, with multi-instrumentalist and composer Jeff Parker contributing the fluttering horn arrangement on “Damage” and Parker’s collaborator Josh Johnson (who produced Meshell Ndegeocello’s Grammy-Award-winning album The Omnichord Real Book) supplying flute, sax, and clarinet arrangements throughout the record. Paint a Room was produced and engineered by Chris Cohen, mixed by Kenny Gilmore (Weyes Blood), and Mastered by Mike Nolte at Eureka Mastering.